tag:blogger.com,1999:blog-6212134380490674946.post8797350088377824432..comments2023-10-31T10:01:56.147-07:00Comments on The Review Pile: The Best Years of Our Lives: Deep FocusJonathan Perezhttp://www.blogger.com/profile/08835845571195214130noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-6212134380490674946.post-66538886417507424982015-10-05T03:43:59.957-07:002015-10-05T03:43:59.957-07:00Found your appreciation of TBYOOL by chance and re...Found your appreciation of TBYOOL by chance and read it rivetted. Fine commentary on a landmark film. More than anything he ever did for Welles, Gregg Toland did his best deep focus work in this Wyler film. That sequence you describe at the restaurant is absolutely masterly. All our attention is on Dana Andrews as he makes that call to Teresa Wright. The conversation in the foreground is inconsequential. It's an example of how to make foreground and background in cinematography work seamlessly. <br /><br />Thank you, Jonathan, for your essay.Sanjeevhttps://www.blogger.com/profile/04869742839975491779noreply@blogger.comtag:blogger.com,1999:blog-6212134380490674946.post-71268249302765940462015-10-05T03:41:14.747-07:002015-10-05T03:41:14.747-07:00This comment has been removed by the author.Sanjeevhttps://www.blogger.com/profile/04869742839975491779noreply@blogger.com